To His Coy Mistress :: essays research papers

Seduction has been the game most played through out the centuries, as males attempt to convince and invite females into their beds. In Marvells "To His demure harlot" and Donnes "The Flea", the speakers, send word a peccadilloes declare, which is so cunningly backed up by a liberalistic assertion and is presented to from each one female when the generous request has been declined. These arguments are designed to induce thoughts of a carnal nature. The persuasions used by each are completely different but are structured all told for one purpose. To corner or trick the first into saying "Yes". though both arguements are supurb, Marvells has a nicer, refined style to it. In "To His Coy Mistress" and "The Flea", there is an exemplification of just how crafty men ignore be during the hunt. The speakers, in both poems, makes a "modest" but declinable house for sex to their amah of choice. And, upon rejection, each male begins a f luent as yet rhetoric arguments on why the maiden should accept his simple offer of passion. For Marvell, the argument was that there wasnt enough clock left in the world, and that the maiden should partake in indulgence before it is too late." But at my back I always hear/ Times winged Charriot focal ratio near"(lines 21-22). He also states the unpleasuarble thought of the worms enjoying her verginity instead of him. Suggesting that if she continues to waste time she will die a virgin. "then Worms shall try/ that long preservd Virginity"(lines 27-28). Whereas Donnes argument revolves around a metaphorical flea. Which as claimed by the speaker, represents his union with the maiden in matrimony, blunderce the flea has taken blood from them both."It suckd me first and now sucks thee/And in this flea our two bloods mingled be"(lines 3-4). And, since their bloods have already mingled together, intercourse with him wouldnt be a sin and no honor would be lost if she yields to him."Though knowst that this cannot be give tongue to/A sin nor shame nor loss of maidenhood" (lines 5-6) Though tho similar the gist of the poems might be, the art of seduction used by each speaker is quite different. The speaker in "To His Coy Mistress" seems to change his tone of persuasion rapidly from stanza to stanza. At first he is sweet, comming across as a gentleman and overstating how many ages he would washed-out on a single part of her anatomy "A carbon years should go to praise/Thine Eyes.